This article was automatically translated from the original Turkish version.
The cloudband writing is an elongated and curled stylized cloud motif frequently used in English-language works under the name cloudband Cloud. Cloud bands are cloud-like decorative elements used to fill the spaces between other motifs. They are created by defining the shape of the line and filling the intervening spaces with gold leaf. This decorative form first appeared in manuscripts of the 4th/10th century. In some manuscripts, the cloud bands can be extremely delicate, forming intricate patterns beautiful within a leaf design. Beyond adding aesthetic beauty to works, cloud bands also serve to emphasize texts and contribute to compositional harmony row page important.

Two examples of cloud bands: a) India, 1196/1882. b) Türkiye, 1183/1769-70.
This decorative style, with roots extending back to China, has been widely employed in numerous illuminated manuscripts. It is believed that this motif, previously unseen in Seljuk art, entered Ottoman art during interactions with the Timurids through the Herat School. Due to its Chinese origins, it has also been called the Chinese cloud. Helmuth Bossert suggested that this motif symbolizes the steam and fire emanating from the noses of mythical creatures such as the simurgh and dragon in their combat scenes, which were regarded as omens of power. In Islamic tradition, there is the miracle of Prophet Moses’ staff transforming into a serpent. The cloud motif, often associated with dragons, may have been favored because it evoked the image of Moses’ staff. Its resemblance to the “light” decorations surrounding figures in early miniatures is also noteworthy.

Cloud motif within the corner decoration of a traditional binding.

Red, ribbon-like cloud motif on Iznik ceramic.

A 17th-century carpet from the Uşak region featuring cloud band borders.
Accessed November 26, 2025.
Arseven, Celal Esad. 1927. Türk Sanatında Tezyinat. Hayat Mecmuası, I/20, pp. 9-14.
Bossert, Helmuth. 1976. Decorative Art of Asia and Egypt. Tubingen, pp. 33-37.
Doğanay, Aziz. 1999. Bulut Motifi Ve Osmanlı sanatındaki Ilk örnekleri. Divan: Disiplinlerarası Çalışmalar Dergisi, pp. 225-34.
Déroche, François. 2006. Islamic codicology: an introduction to the study of manuscripts in Arabic script. London.
Gacek, Adam. 2020. Arapça El Yazmaları İçin Rehber, Klasik Yayınları.
Keskiner, Cahide. Türk Motifleri. Turing Yayınları, İstanbul, pp. 112.
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