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This article was automatically translated from the original Turkish version.

Article

Yemeni Intermediaries

Quote

Architecture(s)

48 Wooden Shops

Foundation(Text)

1661

Historical Significance

Meeting the Army's Shoe Needs During the National Struggle

Craft

Yemenicilik (Traditional Leather Shoes)

Location

Karabük

Türkiye

Yemeniciler Arastası is located adjacent to the Köprülü Mehmet Paşa Camii in the district of Safranbolu, Karabük. Built under the guild system during the Ottoman period, the bazaar was established in 1661. Safranbolu was a major stopover and trade center along the Gerede-Sinop caravan route; therefore, bazaars such as Yemeniciler Arastası played a central role in the city’s economic life.


Yemeniciler Arastası (Türkiye Culture Portal)

Architectural Features

The bazaar consists of 48 wooden shops arranged side by side in an equilateral triangular layout. These structures, characterized by prominent wood and stone craftsmanship, reflect traditional Ottoman arasta architecture. The contiguous arrangement of the shops and the overall plan of the arasta enabled masters to continue their trades in accordance with the guild system of the period.

The Yemeni Craft

Yemeniciler Arastası is a guild bazaar where “yemeni,” entirely handcrafted leather shoes, were produced. Yemeni shoes are made with upper leather, goat skin lining, and buffalo hide soles; all stitching is done by hand. This craft remained a significant trade in Safranbolu until the late 1950s.

Social and Economic Role

During the National Struggle, Yemeniciler Arastası met the army’s footwear needs within available resources. The bazaar also facilitated the emergence of various production and trade establishments in its vicinity. Alongside trades such as blacksmithing, coppersmithing, silk dealing, and leatherworking in Safranbolu Bazaar, the guild tradition was sustained.

Restoration and Tourism

In the second half of the 19th century, the craft declined and many shops were abandoned. By decision of then Minister of Culture Ahmet Taner Kışlalı, the bazaar was restored and transformed into a center for traditional production and tourism. Today, the arasta serves a tourist function, and the Ahmet Demirezen Yemenicilik Museum is open to visitors on weekends.

Yemeniciler Arastası Today

Today, the only remaining yemeni master who has been active in Yemeniciler Arastası for many years is Erhan Başkaya. Together with his son Taha Başkaya, they continue to pass on the craft to future generations. The arasta now functions as a tourist center housing shops selling souvenirs alongside traditional workshops.

Cultural and UNESCO Value

Since Safranbolu is inscribed on the UNESCO World Heritage List, the preservation and transmission of traditional bazaars such as Yemeniciler Arastası to future generations have been ensured. As an integral part of Safranbolu’s historical and cultural identity, the arasta is a vital space where Ottoman guild traditions and local crafts are kept alive.

Guild and Craft Culture

Yemeniciler Arastası is one of the rare surviving examples reflecting the Ottoman guild tradition. Each shop was dedicated to a specific craft, and masters conducted their trades according to established rules. Yemenicilik played both an economic and social role within this guild system, preserving solidarity among masters, quality standards, and professional ethics.

Bibliographies

Kültür Portalı. "Yemeniciler Arastası." Kültür Portalı. Accessed August 16, 2025. https://www.kulturportali.gov.tr/turkiye/karabuk/gezilecekyer/yemeniciler-arastasi

Kültür ve Turizm Bakanlığı. “Yemeniciler ve Demirciler Arastaları.” Safranbolu Turizm Danışma Bürosu. Accessed August 16, 2025. https://safranboluturizmdanismaburosu.ktb.gov.tr/TR-166064/yemeniciler-ve-demirciler-arastalari.html

Author Information

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AuthorMeltem SaraçDecember 1, 2025 at 10:42 AM

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Contents

  • Architectural Features

  • The Yemeni Craft

  • Social and Economic Role

  • Restoration and Tourism

  • Yemeniciler Arastası Today

  • Cultural and UNESCO Value

  • Guild and Craft Culture

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