AkAksaray Ulu Camii was constructed in the 12th century as one of the examples of Anatolian Seljuk architecture. The founder of the mosque is Rükneddin Mesud, son of Seljuk Sultan II. Kılıçarslan. The construction of the building reflects the political and cultural atmosphere of the Seljuk period and has survived to the present day as an important structure in the development of religious architecture.Restoration During the Karamanid PeriodBy the 15th century, the mosque had been repaired and expa
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Meltem Saraç

In the Akköy Neighborhood of the Pamukkale District in Denizli, there is a unique mosque. This mosque is known as Akköy Yukarı Camii or, among the local population, as Eski Cami. It attracts attention for its decorations and wooden craftsmanship. It was built approximately 200 years ago.When Was It Built?The exact date of construction is unknown. However, based on its architecture, it is believed to have been built at the end of the 18th century or the beginning of the 19th century. According to
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Sevgi Kıraç

A saw is a mechanical processing machine equipped with a moving cutting mechanism, generally used for cutting materials such as wood, metal, or stone. In industry, the term “saw” is most commonly used synonymously with “circular saw” and is considered a fundamental tool especially in woodworking. Saw machines may have circular, band, or reciprocating blades and can operate manually, semi-automatically, or fully automatically.Historical DevelopmentThe first saw machines emerged in the 18th centur
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Yusuf İslam Tuğla

Exactly in the center of Belenardıç Village, located in the Pamukkale district of Denizli, there is a uniquely special mosque. This mosque is named Belenardıç Camii. It was built in 1884 by Halil Ağa. Its colorful wall decorations and wooden craftsmanship place it at the heart of the village’s religious and cultural life. The inscription above the mosque’s entrance bears the year 1884, confirming that the structure was built by Halil Ağa approximately 140 years ago.🏛️ Architectural FeaturesBele
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Sevgi Kıraç

🕌 Kemaliye Village Mosque is located in Kemaliye Village, within the Keles district of Bursa. It was constructed in the late 1800s. Although the mosque appears simple from the outside it draws attention with its colorful interior decorations. It is one of the significant examples of Westernization-era architecture in Anatolia featuring woodwork and wall paintings.📍Location and HistoryKemaliye Village is approximately 10 kilometers from the center of Keles district. Formerly known as Kızılkise
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Sevgi Kıraç

Mary Main Church, located in the Lalebey neighborhood of the Suriçi district in Diyarbakır, on place land, is a historically and architecturally significant structure that continues to serve its original function to this day. Ownership belongs to the Syriac Mar Maryam Church Community Foundation. Although the exact construction date is unknown, various theories have been proposed. Archaeological inventory sheets prepared by the Diyarbakır Archaeology Museum Directorate date it to the 3rd century
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Mehmet Tahir Özbey

The traditional rural houses in Şavşat district of Artvin are original architectural examples shaped by the region’s harsh climatic conditions, social structure, and cultural values. These houses are typically constructed using timber-frame techniques and serve the patriarchal family structure in which multiple generations share the same living space.Architectural Plan and Spatial OrganizationŞavşat houses generally consist of three to four rooms. A defining feature of the floor plan is the cent
ENKardelen Durukan

Chirikçılık (woodturning / haratlık) is a traditional craft with historical roots extending to ancient times, based on woodworking. This profession, initially developed in connection with textile production, gradually evolved into the art of woodturning and was used to produce a wide variety of items ranging from household goods to toys.The term “çıkırık” refers to a hand-cranked wheel used for spinning yarn; chirikçılık, on the other hand, denotes the skill of craftsmen engaged in the productio
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Elif Laçin