
Human beings occupy in the universe a space equal to the volume of their own emptiness. But some spirits fill that emptiness with such a sharp, unyielding seepage that even the silence left behind becomes a roaring river. Nilgün Marmara was one of those delicate and unyielding voices who treated this planet as a two-step lodging and watched its backyards early on, choosing departure as an act of will to preserve her own truth. Her poetry is a spiritual journey that wanders at the limits of endur
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Nursena Şahin

Throughout human history, the concept of aesthetics has not merely been understood as a phenomenon representing beauty, but as a way in which humans perceive and interpret the world. Art, architecture, literature, and everyday life practices have shaped an aesthetic understanding that has transformed according to the social and cultural structures of each era. Today, however, a digitized world, the culture of social media, and the pace of modern life are reshaping our aesthetic perception. In th
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mesude zor
NaOrigin Nâhoş is a word derived from the Persian nā-χoş meaning “not pleasant.” It is formed by the combination of the prefix nā-, which conveys the meaning “not” or “un-,” with the word χoş, meaning “pleasant” or “beautiful.” This combination creates a structure that directly corresponds to the meaning “not pleasant.” Areas of Use Daily Life: Used to describe situations, events, or objects that are unpleasant. Literature: Appears in descriptions conveying discomfort, discord, or negative emotion
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Fatmanur Mavibaş