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Channel(s) | ATV | ||||||||
|---|---|---|---|---|---|---|---|---|---|
Number of Seasons(Text) | 1 | ||||||||
Producer(s) | NGM | ||||||||
Number of Episodes(Text) | 10 | ||||||||
Director(s) | Serkan Birinci | ||||||||
Leading Actors | Serhat Kılıç Barış Falay Ayda Aksel | ||||||||
Screenwriter(s) | Gül Abus Semerci | ||||||||
Broadcast Date | February 2, 2025 | ||||||||
The series is constructed around intra-family relationships, the social and economic problems individuals face in modern society, and their reactions to these problems, as well as elements of solidarity. In the narrative, the conflicts between traditional family values and individual interests, and the effects of these situations on the characters' lives, are addressed.
The Snowdrops Series (Snowdrops)
Kardelenler is a dramatic family series focusing on the internal conflicts, intergenerational relationships, and the transformation of a large family in the face of changing societal dynamics. In the series, the Korkmaz family, which is shaped around Hicran Korkmaz, reunites after many years, and this gathering brings past reckonings, resentments, and hidden tensions to the surface.
As family members drift apart in the face of the individualization and economic difficulties brought by modern life, Hicran's feelings of loneliness and exclusion become central to the story. The series, which revolves around themes such as family ties, sibling relationships, financial hardships, the struggle for education, and family rifts, reveals the characters' confrontations with each other and with their own lives.
Despite the crises, betrayals, and tragic events that occur, the Korkmaz family's effort to stay together and their search for solidarity form the basic structure of the series. Kardelenler is a story that examines how being a family is not only born from blood ties but also from the power to resist together.
Intra-Family Relationships and Conflicts: The theme addresses communication breakdowns and relational dissolutions that emerge in contemporary family structures. Intergenerational value differences and intra-family incompatibilities are examined through the interactions between the characters.
The Role and Responsibility of Motherhood: The theme is evaluated in the context of maternal responsibilities, care labor, and the effort to maintain the family balance through the character of Hicran.
Economic Conditions and Social Strata: The theme reveals the effect of economic inadequacies on individuals' decision-making processes and the class differences experienced in the context of social inequality.
Trust Relationships and Breaches: The losses of trust and breaches of loyalty experienced within the family and social environment are handled as determining elements in the relationships between characters.
Youth and the Search for the Future: Through the young characters, individual development processes and future expectations are addressed within the framework of elements such as education, belonging, and social acceptance.
Barış Falay (Koray Gündoğan): The son-in-law of the Korkmaz family and Menekşe's husband.
Serhat Kılıç (Raci Korkmaz): One of the members of the Korkmaz family. His attitudes and decision-making style in the face of events point to a pragmatic approach.
Ayda Aksel (Hicran Korkmaz): A 68-year-old character devoted to her family. The family structure she established with her husband and five children is at the center of her life.
Haktan Zavlak (Yankı): He has an emotional interest in Aysel. The behavior of the character Gizem towards him is one of the elements affecting this relationship.
Nur Yazar (Gülcan Korkmaz): Raci’s wife and the daughter-in-law of the Korkmaz family. The way she expresses her emotional state is observed through various social interactions.
Zeynep Atılgan (Aysel Korkmaz): A hardworking and active character. Her sensitivity to injustices in her social environment and her way of expressing her opinions are among the prominent aspects of the character.
The directing and cinematographic preferences of the "Kardelenler" series are structured to visually support the inner states of the characters and the dramatic structure elements in the narrative. In the scene compositions, an arrangement aimed at revealing the dynamics of the relationships between the characters is noticeable. Close-up shots are among the technical elements that enable the transfer of the characters' emotional states through their facial expressions.
IMDb. “Kardelenler (TV Series 2024– ).” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/
IMDb. “Kardelenler – Cast & Crew.” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/fullcredits/?ref_=tt_ov_at_pop_cst
IMDb. “Kardelenler – Company Credits.” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/companycredits/?ref_=tt_ov_at_dt_cmpy
IMDb. “Kardelenler – Filming Locations.” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/locations/?ref_=tt_ov_at_dt_flmg
IMDb. “Kardelenler – Media.” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/mediaindex/?ref_=tt_ov_at_pop_ph
IMDb. “Kardelenler – Plot Summary.” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/plotsummary/?ref_=tt_ov_at_pl_pl
IMDb. “Kardelenler – Release Info.” Accessed: July 25, 2025. https://www.imdb.com/title/tt35132299/releaseinfo/?ref_=tt_ov_at_dt_rdat
Kardelenler. YouTube. Accessed: July 31, 2025. https://www.youtube.com/watch?v=5LjDmNncb8Q
“Cast.” Kardelenler. atv. Accessed: July 25, 2025. https://www.atv.com.tr/kardelenler/kadro
“Episode 1.” Kardelenler. atv. Accessed: July 25, 2025. https://www.atv.com.tr/kardelenler/1-bolum/izle
“Episodes.” Kardelenler. atv. Accessed: July 25, 2025. https://www.atv.com.tr/kardelenler/bolumler
Channel(s) | ATV | ||||||||
|---|---|---|---|---|---|---|---|---|---|
Number of Seasons(Text) | 1 | ||||||||
Producer(s) | NGM | ||||||||
Number of Episodes(Text) | 10 | ||||||||
Director(s) | Serkan Birinci | ||||||||
Leading Actors | Serhat Kılıç Barış Falay Ayda Aksel | ||||||||
Screenwriter(s) | Gül Abus Semerci | ||||||||
Broadcast Date | February 2, 2025 | ||||||||
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Subject
Themes
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Directing and Cinematography
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