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This article was automatically translated from the original Turkish version.

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Cahit Sıtkı Tarancı Museum

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Cahit Sıtkı Tarancı Museum

Location

Sur / Diyarbakır

Cahit Sıtkı Tarancı Street No:3

Camii Kebir Mahallesi

Construction Year

1733

Purpose of Use

The house where the poet Cahit Sıtkı Tarancı was born

currently a cultural museum

Expropriation

1973 – by the Ministry of Culture

Museum Opening

29 October 1973 (the 50th anniversary of the Republic)

Prominent Sections

Summer reception room (mabeyn), bathhouse, kitchen, courtyard, eyvan, 14 rooms

Cahit Sıtkı Tarancı Museum was established when the house where Cahit Sıtkı Tarancı, one of the prominent figures of Republican-era Turkish literature, was born and raised, was expropriated by the Ministry of Culture and converted into a museum in 1974. The house, built in 1733, is among the original examples reflecting the traditional architectural features of Diyarbakır.

Location and Historical Background

The house where Cahit Sıtkı Tarancı was born is located at No. 3 Cahit Sıtkı Tarancı Street in the Camii Kebir Neighborhood of the Sur District, in the city center of Diyarbakır. The structure was built in 1733 and is one of the significant examples of Diyarbakır’s traditional civil architecture. It has belonged to the Tarancı family since the late 19th century. The renowned poet was born in this house on 2 October 1910.


The house was expropriated by the Ministry of Culture in 1973. After the completion of the restoration process, it was opened to the public on 29 October 1973, in commemoration of the 50th anniversary of the Republic, under the name “Cahit Sıtkı Tarancı Culture Museum”.


Cahit Sıtkı Tarancı Museum (Culture Portal)

Architectural Structure and Spatial Organization

The Cahit Sıtkı Tarancı Museum is a traditional residential structure exhibiting the typical characteristics of Diyarbakır houses. Constructed entirely of basalt stone, the building is a ground floor plus one story structure composed of four main wings. The spatial layout is organized according to a seasonal usage principle adapted to the region’s climatic conditions:


Summer wing (North wing): Positioned to receive limited sunlight, providing a cooler environment.

Winter wing (South wing): Oriented to maximize solar gain.

Spring wing (East wing) and Autumn wing (West wing): Designed for use during transitional seasons.


At the center of the building lies a large open courtyard, which serves as the social and functional heart of the house. All rooms open onto this courtyard. Its width allows daylight to penetrate the interior and supports air circulation that provides cooling during the summer months.


The structure contains a total of 14 rooms of varying sizes, one kitchen, one pantry, one toilet, one eyvan, and a small hammam. The kitchen, built in an open-plan arrangement in the shape of an eyvan, is located in the northeast corner. The hammam is situated in the southwest corner. The hammam’s hot, warm, and cooling sections are designed according to the traditional Ottoman floor plan.


Interior (Müze.gov.tr)


Cahit Sıtkı Tarancı Museum (Culture Portal)

Summer Wing and Main Room (Mabeyn)

The most striking part of the house is the two-story summer wing located on the north side. This section holds both architectural and biographical significance for Cahit Sıtkı Tarancı. On the second floor of the summer wing is a spacious eyvan supported by double-arched openings. The large room opening onto this eyvan is known as the main room or mabeyn.


This room is the most magnificent part of the house, both in terms of architectural detail and cultural function. Its high ceiling, large windows, niches, and basalt stonework are particularly noteworthy. It is known that Cahit Sıtkı Tarancı was born in this room.


Interior (Culture Portal)

Conversion into a Museum and Exhibition Elements

After the restoration was completed in 1974, the house was opened to the public as the Cahit Sıtkı Tarancı Museum and placed under cultural heritage protection. The museum has been arranged to shed light on literary history and to transmit the traditional lifestyle of Diyarbakır to future generations.


The museum displays a variety of materials related to the poet, including:

  • Personal belongings (fountain pen, glasses, watch, handwritten manuscripts, etc.),
  • Family photographs,
  • Handwritten drafts of poems,
  • Letters written to Ziya Osman Saba,
  • French-Turkish books,
  • First editions of his poetry collections.


Most of these materials were obtained through donations or archival research, while some were acquired directly from the Tarancı family. The museum also features reconstructed sections such as period-appropriate seating arrangements, kitchen utensils, and bedroom setups. These elements provide valuable insights into both the personal history of Cahit Sıtkı Tarancı and traditional domestic life in Diyarbakır.


Interior (Culture Portal)

Cultural and Touristic Value

The museum serves as an important destination for both domestic and international tourists visiting Diyarbakır. In addition to visitors interested in experiencing the environment where Cahit Sıtkı Tarancı was born and raised, it is frequently visited by researchers and students with an interest in Ottoman-era stone residential architecture. The house has also been the subject of numerous academic studies, cultural events, and documentary projects.

Bibliographies

Anadolu Ajansı. "Türk Edebiyatında Kült Şiirlerin Yazarı: Cahit Sıtkı Tarancı." Accessed May 4, 2025.https://www.aa.com.tr/tr/kultur/turk-edebiyatinda-kult-siirlerin-yazari-cahit-sitki-taranci/3359767

T.C. Ministry of Culture and Tourism. "Cahit Sıtkı Tarancı Müzesi." Müze.gov.tr. Accessed May 4, 2025.https://muze.gov.tr/muze-detay?SectionId=DCS01&DistId=MRK

Türkiye Kültür Portalı. "Cahit Sıtkı Tarancı Müzesi." Kültür Portalı. Accessed May 4, 2025.https://www.kulturportali.gov.tr/turkiye/diyarbakir/gezilecekyer/caht-siki-taranci-muzes

Author Information

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AuthorAhsen GüneşJuly 14, 2026 at 5:31 PM

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Contents

  • Location and Historical Background

  • Architectural Structure and Spatial Organization

  • Summer Wing and Main Room (Mabeyn)

  • Conversion into a Museum and Exhibition Elements

  • Cultural and Touristic Value