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In the Renaissance, perspective was an artistic method developed through observation and systematized with mathematical formulas to create the illusion of three-dimensional space on a two-dimensional surface. This technique was based on the principle that parallel lines converge at one or more points on the horizon line in the viewer’s line of sight. Perspective was not only a visual arrangement method but also an intellectual revolution that changed humanity’s perception of the world. For the a

Perspective is a set of techniques used in art and architecture to depict three-dimensional objects on two-dimensional surfaces according to specific rules. These techniques aim to create a sense of visual depth and spatial perception. Although the concept of perspective was used at a basic level in Ancient Greek and Roman periods, a systematic approach based on mathematical principles was developed by Renaissance artists in the 15th century. The Italian architect and artist Filippo Brunelleschi