PhHumor, with its multilayered structure operating between individual experience and cultural context, is defined not merely as an amusing element but as a thought-provoking, questioning, and critical mode of expression. Although one of the oldest forms of human narrative, it is regarded as one of the most difficult concepts to define philosophically. Questions about the nature of humor—what is humor, what do we laugh at, why do we laugh—reveal that it is not merely an entertainment device but a c
EN
Aslı Öncan

Human beings occupy in the universe a space equal to the volume of their own emptiness. But some spirits fill that emptiness with such a sharp, unyielding seepage that even the silence left behind becomes a roaring river. Nilgün Marmara was one of those delicate and unyielding voices who treated this planet as a two-step lodging and watched its backyards early on, choosing departure as an act of will to preserve her own truth. Her poetry is a spiritual journey that wanders at the limits of endur
EN
Nursena Şahin
NaOrigin Nâhoş is a word derived from the Persian nā-χoş meaning “not pleasant.” It is formed by the combination of the prefix nā-, which conveys the meaning “not” or “un-,” with the word χoş, meaning “pleasant” or “beautiful.” This combination creates a structure that directly corresponds to the meaning “not pleasant.” Areas of Use Daily Life: Used to describe situations, events, or objects that are unpleasant. Literature: Appears in descriptions conveying discomfort, discord, or negative emotion
EN
Fatmanur Mavibaş