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The figure of Vampire, who drinks blood and is active at night, is particularly known in West culture, but it is evident that this figure appears in much older and more varied forms in Turkish mythology. In Turkish mythology, vampire-like entities have been known for centuries under various names such as hortlak, obur, cadı, alkarısı, yalmovuz, yek, yek içgek, and kara koncolos like. These entities have not only persisted in Turkish folk beliefs but have also continued to appear in historical do

Hotel Transylvania 3: Summer Vacation is a 2018 American animated comedy film produced by Sony Pictures Animation and distributed by Columbia Pictures. It is the third installment in the Hotel Transylvania series. Directed by Genndy Tartakovsky, the film follows a thrilling vacation aboard a monster cruise ship. The main roles are voiced by Adam Sandler, Andy Samberg, and Selena Gomez. The film blends comedy and adventure while exploring themes of family, friendship, and acceptance of difference

Türk kültüründe vampirler, ölümden sonra doğal olmayan biçimde varlığını sürdüren, kanı ya da yaşam özünü tüketerek insanlara musallat olan çok biçimli ve çok katmanlı doğaüstü varlıklardır. Bu figürler, Türk halk inançlarında, tarihî belgelerde ve edebî metinlerde hem bireysel hem de toplumsal düzeni tehdit eden karanlık güçler olarak yer alır. Türk kültür dairesinde vampirlik olgusu Batı geleneğinden bağımsız olarak, yerli bir mitolojik süreklilik içinde gelişmiştir. Vampir figürü, kan içen, ö

Hotel Transylvania is an American animated comedy film released in 2012 and directed by Genndy Tartakovsky. Produced by Columbia Pictures and Sony Pictures Animation, the film has appealed to a broad global audience. The story, set in a luxurious hotel owned by Dracula where monsters can vacation away from humans, centers on humor and family bonds. The film received positive responses from both critics and audiences and has since evolved into a franchise with sequels. Plot The film follows the s

In Turkish culture, vampires are multifaceted and layered supernatural entities that, after death, continue to exist in unnatural forms, haunting humans by consuming their blood or life essence. These figures appear in Turkish folk beliefs, historical documents, and literary texts as dark forces threatening both individual and social order. The phenomenon of vampirism in Turkish culture developed independently of Western traditions, within a native mythological continuity. Although the vampire f